
The only discordant note to me was due to the Christopher Moore / Carl Hiaasen / sometimes-Tom Robbins problem. This is the problem where you are reading along, and everything is fine and normal; your disbelief is suspended just like you want it to be, and then the novel's first female character comes along. Often she is wearing shorts, which is suspiciously lucky, in that it provides an opportunity to devote some text to her legs. This character does not make sense. She is like no one you have ever met, nor do you believe that she probably exists somewhere else, unmet. She works out to be pretty awesome for our hero, but she also functions as a razor-sharp machete, hacking constantly away at the suspension of your disbelief.
Everything else was good, though. Particularly delicious to me was the twenty-page memo starting on p. 510, to write which Stephenson apparently wondered, "What if this particular character's prose style was basically that of a very reader-friendly David Foster Wallace, without the footnotes? And he was writing a memo about a jungle adventure?" (Or maybe I just have DFW on the brain? Either way it's entirely, entirely enjoyable.)